Intent

What does this picture say to you?

What if I add the caption, “Police keep a close eye on Protesters.

Who is the guy walking behind the police officer?

Reality

Here’s the original, unedited photo.

The police and a pedestrian were crossing a busy street at the edge of the demonstration. They were looking in the direction of oncoming traffic. Protesters, business people, and office workers were using the corner. I don’t have a clue who the pedestrian is.

In reality, the OccupyMN organizers had worked with city and county officials for some time before the demonstration and the effort paid off. The Minneapolis Police and the Hennepin County Sheriff  Department had a light presence on Friday. A few officers stationed here and there at the edge of the occupation. Occasionally a pair of police officers would walk through the crowd. The interaction between the protesters and officers appeared pleasant and non-confrontational.

Intent of the Photograph

I have used composition to accentuate the tension inherent in the photo. The two men are looking at something out of the frame: something that is left to the imagination. The image is not centered. I cropped the image to have the police officer closer to the edge of the frame. This implies motion and direction, as does the pedestrian walking behind him. I darkened the pavement in the foreground and the building in the background so that the men would standout more. This reinforces the men and their gazes off frame.

I like the finished image because of the implied drama, even though there was none in the actual moment.

 

Photo Statistics

It is estimated that about 3.5 trillion pictures have been taken since photography’s beginning in the early 1800s. In 2011 we will take approximately 380 billion images. Analog photography (film) peaked in 2000 with digital photography growing exponentially afterwards. In 2011, 70 billion photos will be uploaded to Facebook. (1) In contrast to the Library of Congress has a total of approximately 12.5 million photographs. (2)

(1)  How many photos have ever been taken? Good, Jonathan:
Crunching the Numbers: www.1000memories.com: 09/15/2011.

(2)  About the Library; Fascinating Facts: Library of Congress: 02/01/2011

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OccupyMN – More Faces in the Crowd

Here are a few more of the interesting people who I met or observed at the OccupyMN action on Friday, 10/07/2011.

(Above Photo)  There is a place for whimsy in politics. When we stop finding the humor in ourselves and our beliefs, then we are lost.

This young woman’s sign captured the feelings of many at the OccupyMN action on Friday.

It’s eat or be eaten.

It is the both the persistence of the older protesters and the enthusiasm of the youth that give me hope.

There is always a place for music and drumming.

 

 

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OccupyMN – Guy Fawkes

 Guy Fawkes Masks

How people express themselves at a political event can take many forms: signs, props, music, dance, and complete persona. I am particularly fond of the folks who use props to help get their message across. The Tea Party has adopted the tea bag, for better or worse, as a symbol. Some of the OccupyMN protestors have decided on a favorite of mine, the  Guy Fawkes masks used in the movie V is for Vendetta.

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OccupyMN – Fox News Integrity

Turn Off Fox Propaganda

The OccupyMN occupation of the Hennepin County Government Center in Minneapolis is underway. Friday morning, at 9 a.m., set up began and by noon the action was underway. By 4:30 p.m., when I arrived, a diverse crowd occupied the government center plaza, renamed Freedom Plaza, with the majority being young, white adults.

When I was at the planning meeting last night, I was told by the organizers that they hoped that between 200 and 1000 people would gather in the plaza. It appeared to me that, after a full day of events, there were over 1000 people in the plaza and more joining every minute.

I talked with the man shown above. He told me that when Fox reported on the OccupyMN occupation they would do their report in the empty park on the other side of the government center and claim only a few people were at the rally. On the 9 pm report, Fox did just that. While hundreds remained in the Plaza, Fox broadcast from the nearly deserted park a block away.

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OccupyMN — Photographer’s Dilemma

OccupyMN Planning Meeting on the Eve of the Occupation

Yesterday evening I went to the OccupyMN planning and general assembly meetings being held at Stevens Park. I went to photograph the proceedings and to get a sense of the membership of OccupyMN. What I saw was a group of approximately 50 young people preparing for an orderly and peaceful demonstration.

The planning meeting divided into smaller working groups. One (above) developed the  procedures for the General Assembly meeting that would start the occupation of the plaza. This meeting would provide the protestors the forum to set an agenda and rules of conduct.

Photographer’s Dilemma

While I was photographing the proceedings the issue was raised about recording/photographing members at the meeting. By popular vote the majority said that it was okay: a minority of 5 opposed. It was decided that if a person did not want to be photographed, they would go a specific spot that was not in the frame of the video recording equipment. I worked to avoid photographing the designated area.

Despite my obvious efforts to respect the wishes of the minority, I had my back to them, three young men felt compelled to challenge me. In essence, I told them that I would attempt to honor their privacy but they were wasting their time trying to get me to stop.

Afterwards, while preparing photos for posting, I caught myself blurring out the face of a protester who I thought might want privacy. He was in the background located behind the subject area. This got me thinking of image and photographer integrity.

The goal of a photographer at a political event is to capture the moment as accurately as possible. Ideally, the photographer is a neutral observer who works without drawing attention to themselves. With an image literate population it is easy for a photographer to be used by some to shape coverage.

The photographer needs a set of rules that he/she can apply to all public events. This provides for an evenhanded approach to all instances.

What to do?

To begin, a political protest is a public event. The entire point of a protest is to draw attention to an issue. Therefore, a protest is open to observation and documentation regardless of what restrictive rules the protesters may vote for.

This is where it gets tricky. To some degree, a photographer relies on the goodwill of the group to allow him to work. There are plenty of examples from both here and around the world of photographers being physically intimidated by protestors or police. It is important for the photographer to be aware of the feelings of the majority and minority groups. Hopefully this minimizes potential conflict.

For me this means that I will not single out individuals who have expressed to me or through a group action (standing in a no-photo space). This self-imposed restriction disappears if that individual begins to act in a way that is worthy of documentation, i.e. doing something that is intended to draw attention to themselves.

In other instances the demands of photo composition take precedence and people not wishing to be photographed might appear in the background or as part of a larger group.

It is the responsibility of the person looking for anonymity to be anonymous. Wearing distinctive clothing and standing in the thick of the action are counter productive.

Lastly, when it comes to public political events there are two uncontrolled sources of images: cellphones of the participants and law enforcement. In today’s hyper vigilant atmosphere it must be assumed that law enforcement agencies will be recording the event and identifying participants. With social media images are posted and tweeted and individuals portrayed can be tagged, ad hoc identification.

I deleted the modified image and went back to the original. Self censorship is a slippery slope that compromises the image and the photographer.

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Abe and Omar (thoughts about composition)

Abe and Omar 09/23/2011

Last weekend, Becky’s brother Steven came to visit for the afternoon and he brought two of his grandchildren, Abe and Cara, and their two dogs, Bozo and Omar. Their visit provided me the opportunity to take a few pictures that I could share with their parents and the rest of the family.

While working on the images I began to think about composition.

I’ve written before, my subconscious plays an important part in my image making. So, when I find myself struggling to find the composition that works for me I ask myself, “What makes me want to take this picture?” It is an open-ended question that allows me to communicate with my intellectual and intuitive selves. I ask this question both when taking a picture and later when processing.

On the intellectual side, I have a specific agenda, with Abe and Cara it was to take candid portraits. Because the kids are constantly moving, I decided to use an exposure of 800 and not crop too closely. This allows for unexpected movement. I knew that I would tighten up the composition later during digital processing.

On the intuitive side, I look for the element or elements that attracted me to the picture. Is it the inherent drama (actions, expressions, weather), particular colors-shapes-textures, or the such. During the processing phase I go to my intuitive side much more and then rely on the intellectual side to figure out how manifest what I see in my mind’s eye.

In Abe and Omar tightened the focus to include the interior of the pickup and used the pickup’s elements to frame Abe and Omar. I could have tightened it more by cropping out some of the action in the background. I didn’t because I felt that provided more context. Because the eye is attracted to lighter areas that are easier to read, I darkened the elements that framed Abe and Omar: back of the front seats, the floor in the back seat, the open door panel and door frame. I wanted Abe’s face and clothes to be the first thing that you notice. Next comes Omar with his intense gaze.

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