The Future Is Now

Yesterday evening, it was nice enough that I could sit in the backyard. At 10:00 p.m. it was a pleasant 26 degrees, which is normally the high for this time of the year.

It was unsettling.

The drought in southern Minnesota continues and there is no snow on the ground here in Minneapolis or most of the state. A snow-less period around Christmas occurs about once out of five years. However, all of December has been atypically mild with many days 10 degrees warmer than the average.

Sitting in the darkness, looking at the overcast sky, I realized that we are living in the last days of Holocene Earth, that period of time in which we humans went from a scattering of forager bands in Africa until now when 7 billion of us cover the planet.

We don’t need to wait 20 years to see the disastrous results of climate change. It is all around us.

The climate is changing and we are experiencing the effects. Scientists are careful to say that any particular weather event can’t be labeled as the specific result of  global climate change. Yet, the trends conform to the predictive meteorological models. Ocean temperatures are increasing which causes shifting weather patterns. Storms are more frequent. In 2011, in the US, 2,942 monthly weather records were broken with an historic 14 weather disasters costing $50 billion. (1)

It appears that things are happening faster than predicted. The Antarctic and Arctic ice shelves are melting more quickly than scientists had believed possible. Around the world, mountain glaciers are in full retreat. The glaciers are major sources of fresh water that hundreds of millions of people rely on.

Fresh water makes up only 2.5% of all the water on the planet and of that, glaciers and the ice packs account for 68%. Ground water accounts for another 30% and the remaining 2% is found in our lakes, rivers and streams, wetlands, soil moisture, and the atmosphere. (2)

An Historic Duty

We have a duty to do what we can to mitigate the causes of climate change and the dwindling supply of fresh water. We also have a responsibility to help those people who are the casualties of our changing world.

Creative people, such as photographers, artists, and writers have an obligation to document this critical time for our children and grandchildren.

Photographs are memories.

Now is the time to start remembering before it is gone.

  1. Natural Resources Defense Council; Extreme Weather Map; 12/28/2011; http://www.nrdc.org/health/extremeweather/
  2. United States Geological Survey; Where Is Earth’s Water Located?  12/28/2011;  http://ga.water.usgs.gov/edu/earthwherewater.html
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Barrel Cactus: Order from Chaos

     Barrel Cactus    12/03/2011

Often, Nature provides a wealth of subjects to photograph. The problem is that they are arranged according to Nature’s rules and may not readily fit into a human composition.

This photo is an example of such a situation. There were a number of objects in the frame that appealed to me but all of them did not belong in the composition.

I put my camera aside and looked at the scene. What attracted me the most: distant mountains, teddy bear or jumping cholla in the background, barrel cactus in the foreground, the texture of desert hard-pan, the light, or some combination?

My eyes kept focusing on the barrel cactus in the foreground. I decided that was my primary subject. Next, I decided that I needed the distant mountains. Lastly, I wanted to show the texture of the desert hard-pan.

Using those three objects as a guide, I then used my 3-templates rule of thumb. There are three quick choices that I can make, one of which will get me in the ball park.

  1. Go Wide – Use a wide angle view to capture all the subjects.  This is the landscape approach. The chosen subjects are to be the object of interest in the expanse of the desert.
  2. Go Halfway —  Compose the frame using the all selected subjects. This the view that Nature presented me initially and that I have cropped more closely.
  3. Go Close — This is the micro photographic approach. Pick out the primary object, pick the outstanding aspect of the subject, for instance the yellow fruit on the top of the cactus, and work with that.  This way I can discard the other elements and simplify the composition.

I looked at the scene using the wide and halfway views. Changing views adds more perspective to what I’m looking at and, often, unseen relationships emerge. If I’m still struggling then I go close to see what is there.

In the case of the Barrel Cactus I found a happy medium. While studying the scene, I discovered that there was a structure. It is a Z. The upper horizontal line is made of the cholla, the bottom horizontal line is made from the small bushes in the foreground, and the diagonal line going from upper right to lower left is made of barrel cactus (mid and foreground) and a bush. The bare ground to the left of the diagonal and to the lower right help to emphasize the shape.

The Z is an interesting shape because it mimics how people who are trained to read western scripts (English, French, etc.) look at a page or picture. Our eyes start in the upper left corner, traverse to the right then sweep diagonally to the lower left corner and then across to the lower right.

For western viewers, the Z eye movement reinforces my composition.

Another way to reinforce the composition is to adjust the color and contrast of the cactus and bushes, making them stand out more from the desert hard-pan and the mountains. I decided not to because I liked the existing dusty patina  and colors of the image.

 

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Peace On Earth

     Papai Noel Visiting a Pre-school Serving Children from a Favela   12/22/2006 

In December of 2006, my wife and I went to Salvador do Bahia, Brazil. We had decided to spend our Christmas volunteering. We hooked up with Global Volunteers, a nondenominational NGO that had programs all over the world. We picked Global Volunteers because their emphasis was not religious and as they told us, “We don’t dictate what our volunteers do, our in-country hosts do.” We could be certain that what ever we did, it would be something that our Brazilian hosts thought was important.

We and the other volunteers spent two weeks doing a variety of tasks. Some of worked in a children’s cancer clinic or doing administrative tasks, others in a support house where the parents of children at the clinic could stay, and at a pre-school that served about 300 children from a nearby favela. I had the good fortune to work both at the cancer clinic doing administrative tasks and at the pre-school.

On the first day I started at the school the Principal told me that he had a special job for me on the last day of the school year: because we were on the other side of the equator, the Brazilian summer break starts just before Christmas.

The last day of the school year was celebrated with a school pageant. Each class sang or danced or did a recitation. The theme was Christmas.

About a half hour before the festivities began, the Principal took me aside and told me that he had a special suit for me to wear: red with white trim. I was to be Papai Noel (Santa Claus) and pass out gifts with the help of the teachers.

The pageant went beautifully with the children and their parents having a great time. Then it was my turn. I came out from a side door into the schoolyard where everyone was assembled. The children were taken by surprise. In an instant all order broke down and 300 small children swarmed around me cheering, “Papai Noel, Papai Noel!”

I did a pseudo samba dance step around the schoolyard, the center of ecstatic children. Teachers and parents laughed and clapped.

Once order was restored, the children went to their classrooms where they were served their lunches. I went to each class and passed out gifts.

In return, the children gave me the best Christmas gift that I’ve ever had.

To everyone, Peace On Earth and Good Will Towards All.

 

Photo by Caio Silva one of the Brazilian host staff.

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In Memorium: Barb Ayres

     Barb with her husband Myron, 2009.

Yesterday evening, I got around to reading my email. Hidden amongst the blizzard of news alerts and Facebook posts were two short notes that brought me to a full stop.

Barb Ayres, a good friend who I’ve known since high school, had died unexpectedly. She was a photographer, artist, protector of animals and caring human being. The emails were from her sister Marcia. Barb’s other sister Susie posted on Facebook, “12/21/2011  The darkest day of the year.”

I first met Barb around 1965. After all these years dates fade and sequences of events become jumbled. However, I clearly remember the first time I met Barb. My buddies Ed and Lloyd were going to see their friend Barb. Ed and Lloyd were musicians and they needed a third to make up a jazz trio. I got to play Lloyd’s acoustic base, even though I didn’t have a clue how. It was a torturous 30 minutes while we played for Barb, Marcia, Susie, and their parents. I plunked along, laying down a whisper accompaniment of wrong notes.

Afterwards, I got to meet the Ayres family and immediately fell in love with them. They were everything that my family wasn’t: lively, fun loving, and joyous. Their home became my second home, a place of shelter, light, and acceptance.

Over the years I would learn that Barb and her family had had their trials, heart aches, and triumphs: like most families. But that only made them more dear to me.

I lost track of Barb and her sisters for many years. I had left my home town of Columbus and seldom looked back. I reinvented myself, got married, and followed several careers.

Then three years ago I got a Facebook message. Barb had found me and asked how I was doing. It started, “Why, you old scallywag! I was sure you’d be in a Mexican jail by now…and here you are,,,RESPECTABLE. Shame on you.”

In that instant we picked up where we’d left off almost 40 years earlier.Through Barb, I reconnected with Marcia and Susie and the warmth of Ayres family embraced me all over again.

Over the years, Barb struggled with illness and pain, which can either break or make a person. She was intimately aware of how hard life can be and no doubt she had her dark nights of the soul, but Barb responded by growing more compassionate and resilient. Her art was shaped by the challenge of her health. On occasion, she became her own photographic subject, as when she had Ramsay Hunt Syndrome (RHS), a rare and dangerous virus, later facial Postherpetic Neuralgia (PHN) a condition that occurs if the RHS does not go away, and brain surgery.      Barb’s Many Faces

When she was younger she worked as a writer and graphic designer. Photography was an important outlet for her creative energy. She had a passion for the photographic equivalent of found art: antique images, family photos, or photos taken around her home. Her montage were colorful and exuberant, insightful and wickedly funny.

Barb would write me to discuss our projects, the nature of creativity, politics, and the latest news from Columbus. She always wrapped it in wit and wisdom.

Despite her illnesses, Barb had been actively engaged with the Columbus Museum of Art, the Women’s Symposium Winter Caucus, the protection of animals and other efforts to make the world a better place.

On Tuesday, 12/20/2011 Barb wrote in response to an entry I had posted on my wife’s Caring Bridge page. It was part of a thread we had started on 12/18. Barb began with her plans for a 16×20 canvas print that Myron had given her as a gift.  She was excited about the challenges of picking the right image and how she might prepare it for the canvas.

She then mentioned her concern for Becky and me and how the stress of our circumstances can be a killer. She wrote about a book that she was reading, Forty Tales from the Afterlife, by David Eagleman. She said that she’d sent me a copy.

A few hours later, Barb was at dinner with Myron and family when she choked on a bit of food. An EMT and a doctor who here dining at the restaurant tried to remove the blockage and were only partially successful. Barb was place in ICU and listed as guarded to critical.

On Wednesday, 12/21 I received the book had sent me with the note wishing us a happy holiday.

A few minutes later, I read my email and learned that Barb had died at 11:11 a.m. that morning.

With Barb’s passing, a light has gone out.

But rather than dwell on what we have lost, I suspect Barb is encouraging us to move on, continue to share the light of love and the music of laughter.

I will miss you my dear friend.

All images by Barb Ayres.

Corrected 03/17/2012 – I originally said that Barb had Bell’s Palsy when in fact she had the much more serious and rare Ramsay Hunt Syndrome. She is mourned by the members of the Ramsay Hunt Syndrome group on Facebook.

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Sunset After a Desert Storm

For two days cold winds and rain swept across the desert. Overnight, the desert turned green. It was a relief to see the sun, even if only as it set.

After sunset the sky cleared and it got cold. Heavy coats of frost settled on to the dry husks of dead saguaro and jagged crystalline rocks sprouting from the red hard-pan earth.

The silence of the night was complete.

Tomorrow would be a better day.

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Autumn Light in the Canyon

My wife and I recently spent a few days with friends, outside of Tucson, in a house next to the Saguaro National Forest.

It was an opportunity for Becky and I to rest and decompress. It was temporary respite from our daily life that revolves around Becky’s prolonged illness.

It was possible to walkout any door of the house and into the desert. No matter the time, the desert was there waiting for us to take a short walk or for me to go exploring.

On one day, the four of us drove over to the Catalina Mountains and Sabino Canyon. Because of Becky’s health, we took the tram to do our sightseeing. It was late afternoon and the light was magical. The trees on the canyon floor still sported their full autumn colors.

I accepted the fact that I could only take snapshots: I couldn’t take the time to walk around and find the perfect shot or set up my tripod. Once freed from my obsession for perfection I was free to grab whatever image that appeared to me as we rode along.

The photo above was taken as the tram stopped for a minute to let some walkers get out of the way. Not bad for a snapshot.

 

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